By Neil Henry
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Additional info for American Carnival: Journalism under Siege in an Age of New Media
But isn’t the point here also that—I mean, this cover— this is Martha Stewart I’m looking at. It’s not an artist’s rendering of Martha Stewart; it’s a picture of Martha Stewart, which is somehow more—it conveys a sense of greater objectivity than a painting. Yes, and—I mean, I’m not going to try and say that there’s no gray area here because, of course, the joke is richer. But in fact, without the intention to deceive, which we clearly—I mean, we could not have been more explicit about how we labeled this .
In athletics, fans have hardly been able to tell who is genuinely skilled as a baseball slugger or a track and ﬁeld sprinter or a Tour de France cyclist and who is instead merely dependent on American Carnival 33 performance-enhancing chemicals. Enigmatic, deceptive expressions like “plausibly live” and “virtual reality” have become integral to our cultural lexicon, all aimed at convincing us that ﬁction is just another version of truth. In our academies, even leading scholars such as Stephen F.
She recalled that the only time she’d heard PR discussed in journalism school was in a generalized con- 26 American Carnival struct, with journalists as gatekeepers of truth and PR as simply an entity to avoid. “But that isn’t reality,” she continued. “The truth is that sophisticated public relations professionals guard almost every beat— from politics to business to entertainment—and rarely can you truly circumvent them. ” In addition, some young journalists express deep disenchantment over what they view as growing indifference by the news industry to the longterm goal of hiring newsroom staff who reﬂect the full range of intellectual, political, gender, and racial diversity in American society.